{"id":66,"date":"2024-12-31T07:07:00","date_gmt":"2024-12-31T07:07:00","guid":{"rendered":"https:\/\/www.contrepointmarcassins.fr\/?p=66"},"modified":"2026-06-03T20:42:07","modified_gmt":"2026-06-03T18:42:07","slug":"poulenc-revele-dans-sa-musique","status":"publish","type":"post","link":"https:\/\/www.contrepointmarcassins.fr\/?p=66","title":{"rendered":"Poulenc, un visage en musique"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Il est des compositeurs laissant transpara\u00eetre jusque leur personnalit\u00e9 dans leur musique, nous croyons que Francis Poulenc (1899-1963) est de ceux-l\u00e0. N&rsquo;a-t-il pas lui-m\u00eame affirm\u00e9: \u00ab\u00a0<em>ma musique est mon portrait<\/em>\u00a0\u00bb ?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nous citons un article de France Culture:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab\u00a0<em>Alors qu&rsquo;il est encore un tr\u00e8s jeune homme, Francis Poulenc doit faire face \u00e0 la mort de ses parents, sa m\u00e8re d\u00e9c\u00e8de en 1915 puis son p\u00e8re deux ans apr\u00e8s. Il lui reste une jolie fortune, l&rsquo;assurance de pouvoir vivre en composant, mais il lui manque la possibilit\u00e9 de pouvoir se reposer un moment sur ses a\u00een\u00e9s. Cela explique peut-\u00eatre chez lui cette sensibilit\u00e9, cette capacit\u00e9 singuli\u00e8re \u00e0 mettre en musique ce sentiment li\u00e9 \u00e0 la mort, une musique marqu\u00e9e par une m\u00e9lancolie plus ou moins perceptible \u00e0 la premi\u00e8re \u00e9coute. La musicologue C\u00e9cile Auzolle dresse un portrait du compositeur<\/em> : <em>&lsquo;<\/em> Poulenc n&rsquo;est pas un chat alerte et bondissant. Il aurait plut\u00f4t du grand chien fid\u00e8le, un peu d\u00e9gingand\u00e9, tour \u00e0 tour prostr\u00e9 ou sautillant, l&rsquo;humeur vagabonde et puis parfois fantasque. Presque toujours, c&rsquo;est vrai, teint\u00e9 d&rsquo;une m\u00e9lancolie, comme on voile une lumi\u00e8re trop crue, un visage trop \u00e9mu ou un tableau trop fra\u00eechement peint.'\u00a0\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Claude Rostand pousse plus loin la dualit\u00e9: \u201d<em>En Poulenc, il y a du moine et du voyou<\/em>\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un peu de musique maintenant, pour \u00e9tayer les propos de nos confr\u00e8res et consoeurs, puis \u00e0 vous la parole. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Poulenc-Figure-humaineIV.-Toi-ma-patiente.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Figure humaine, IV. Toi ma patiente<\/em> (1943) &#8211; Netherlands Chamber Choir, Eric Ericson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Poulenc-Mass-in-G-Major-II.Gloria.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Messe en sol, Gloria<\/em>  (1937) &#8211; Swedish Radio Choir, Peter Dijkstra<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Poulenc_Hyde-Park.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Hyde Park (1945)-<\/em> Gilles Cachemaille, Pascal Rog\u00e9<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Poulenc_-Banalites-3.-Fagnes-de-Wallonie.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Banalit\u00e9s, III. Fagnes de Wallonies  <\/em>(1940) &#8211; Gilles Cachemaille, Pascal Rog\u00e9<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il est des compositeurs laissant transpara\u00eetre jusque leur personnalit\u00e9 dans leur musique, nous croyons que Francis Poulenc (1899-1963) est de ceux-l\u00e0. N&rsquo;a-t-il pas lui-m\u00eame affirm\u00e9: \u00ab\u00a0ma musique est mon portrait\u00a0\u00bb&hellip;<\/p>\n","protected":false},"author":1,"featured_media":233,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,17],"tags":[],"class_list":["post-66","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-moderne","category-voix"],"_links":{"self":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=66"}],"version-history":[{"count":19,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":659,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/66\/revisions\/659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/media\/233"}],"wp:attachment":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}