{"id":51,"date":"2024-12-24T07:07:00","date_gmt":"2024-12-24T07:07:00","guid":{"rendered":"https:\/\/www.contrepointmarcassins.fr\/?p=51"},"modified":"2024-12-26T13:09:30","modified_gmt":"2024-12-26T12:09:30","slug":"les-pieces-pour-piano-a-quatre-mains-chez-un-debussy-de-18-ans-la-tentation-de-lorchestre-deja","status":"publish","type":"post","link":"https:\/\/www.contrepointmarcassins.fr\/?p=51","title":{"rendered":"Les pi\u00e8ces pour piano \u00e0 quatre mains chez un Debussy de 18 ans: la tentation de l\u2019orchestre, d\u00e9j\u00e0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00ab Modulez\u2026, loin\u2026, loin\u2026, pas trop\u2026, pas trop\u2026 \u00bb s\u2019amusait \u00e0 dire C\u00e9sar Franck (compositeur et organiste) \u00e0 sa classe d\u2019improvisation. On l\u2019imagine tout \u00e0 fait reprocher quelque fantaisie au jeune Claude Debussy (n\u00e9 en 1862), son \u00e9l\u00e8ve au conservatoire de Paris, d\u00e9j\u00e0 connu dans l&rsquo;\u00e9tablissement pour son audace dans l\u2019harmonie.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"575\" src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Debussy-17.jpg\" alt=\"\" class=\"wp-image-136\" style=\"width:256px;height:auto\" srcset=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Debussy-17.jpg 450w, https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Debussy-17-235x300.jpg 235w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Une ouverture qui n\u2019ouvre \u00e0 rien- comme plus tard dans ses <em>Pr\u00e9ludes<\/em>-, une gamme par tons tr\u00e8s peu utilis\u00e9e \u00e0 l\u2019\u00e9poque, des motifs courts : voil\u00e0 comment le compositeur affirme sa modernit\u00e9 dans cette <em>Ouverture de Diane<\/em> (1881). L\u2019oeuvre pr\u00e9sente deux motifs principaux. L\u2019un tortueux, souvent pr\u00e9sent\u00e9 \u00e0 nu, sur fragments de gamme par ton, l\u2019autre plus p\u00e9tillant, nourrit une grande partie de l\u2019\u0153uvre. S\u2019y ajoute la gamme ascendante plafonnant, motif secondaire, donnant \u00e0 la pi\u00e8ce son caract\u00e8re brillant et dansant.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Debussy-Diane-_-Ouverture.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Debussy &#8211; <em>Diane ouverture<\/em> &#8211; Christian Ivaldi, No\u00ebl Lee<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En 1880 Debussy, 18 ans, passe l\u2019\u00e9t\u00e9 au service de Nadejda von Meck, plus pr\u00e9cis\u00e9ment, il est en charge de l&rsquo;\u00e9ducation musicale de ses filles. D\u2019Arcachon \u00e0 Naples, la baronne appr\u00e9cie la pr\u00e9sence de \u00ab Bussik \u00bb, comme elle l\u2019appelle. Ensemble, ils d\u00e9chiffrent des pi\u00e8ces pour piano \u00e0 quatre mains. Avant de la rejoindre une deuxi\u00e8me fois, \u00e0 l\u2019\u00e9t\u00e9 1881, Debussy compose pour elle une <em>Symphonie en si mineur<\/em>, pour piano \u00e0 quatre mains justement. A sa r\u00e9ception, von Meck se dit \u00ab<em> touch\u00e9e de l\u2019aimable surprise<\/em> \u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unique mouvement achev\u00e9, parmi les trois pr\u00e9vus, l<em>\u2019Allegro ben marcato<\/em> offre un premier th\u00e8me mena\u00e7ant auquel s\u2019opposera un second en triolets, plus fluide. Petite entorse \u00e0 la r\u00e9exposition, lorsque le th\u00e8me est \u00e9nonc\u00e9 dans une tonalit\u00e9 diff\u00e9rente.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2024\/12\/Debussy-Symphonie-en-si-mineur.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Debussy &#8211; <em>Symphonie en si mineur &#8211; <\/em>Christian Ivaldi, No\u00ebl Lee<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ces deux pi\u00e8ces r\u00e9v\u00e8lent une r\u00e9elle tentation du jeune Debussy pour l\u2019orchestre. Le choix d\u2019une \u00e9criture pour piano \u00e0 quatre mains n\u2019est pas seulement dict\u00e9 par la pr\u00e9sence de Nadejda von Meck, mais aussi par le foisonnement d\u2019id\u00e9es, que deux mains seules ne sauraient contenir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Modulez\u2026, loin\u2026, loin\u2026, pas trop\u2026, pas trop\u2026 \u00bb s\u2019amusait \u00e0 dire C\u00e9sar Franck (compositeur et organiste) \u00e0 sa classe d\u2019improvisation. On l\u2019imagine tout \u00e0 fait reprocher quelque fantaisie au&hellip;<\/p>\n","protected":false},"author":1,"featured_media":134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-51","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-moderne"],"_links":{"self":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51"}],"version-history":[{"count":5,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/51\/revisions"}],"predecessor-version":[{"id":208,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/51\/revisions\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/media\/134"}],"wp:attachment":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}