{"id":429,"date":"2025-09-30T06:30:00","date_gmt":"2025-09-30T04:30:00","guid":{"rendered":"https:\/\/www.contrepointmarcassins.fr\/?p=429"},"modified":"2025-09-22T18:01:02","modified_gmt":"2025-09-22T16:01:02","slug":"variations-pour-orchestre-de-schoenberg-ce-theme-est-charmant","status":"publish","type":"post","link":"https:\/\/www.contrepointmarcassins.fr\/?p=429","title":{"rendered":"Variations pour orchestre de Schoenberg: ce th\u00e8me est charmant"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dans les ann\u00e9es 1920, Arnold Sch\u00f6nberg (1874-1951) th\u00e9orise le dod\u00e9caphonisme s\u00e9riel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce syst\u00e8me consiste, entre autres, \u00e0 bannir toute tonalit\u00e9 en traitant de mani\u00e8re \u00e9galitaire chacune des 12 notes de la gamme chromatique. Ainsi chez Sch\u00f6nberg puis chez ses \u00e9l\u00e8ves, la centralit\u00e9 propre au langage tonal disparait. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il n&rsquo;est pas rare que les auditeurs, m\u00eame ceux des ann\u00e9es 2000, soient d\u00e9contenanc\u00e9s \u00e0 l&rsquo;\u00e9coute de musiques usant de dod\u00e9caphonisme- et pourtant, c&rsquo;\u00e9tait il y a 100 ans d\u00e9j\u00e0. En cause, le manque de rep\u00e8re hi\u00e9rarchique m\u00e9lodique, voulu par Sch\u00f6nberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Et parfois, m\u00eame, les musiciens professionnels s&rsquo;y perdent ! Comme ce matin de f\u00e9vrier 2009 \u00e0 la salle Pleyel, o\u00f9 le chef Pierre Boulez dirige une r\u00e9p\u00e9tition des <em>Variations pour orchestre<\/em> de Sch\u00f6nberg, justement. Il trouve quelque reproche \u00e0 adresser aux violoncellistes: <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\" style=\"padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--80);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--80)\">\u00ab\u00a0<em>Je sais bien que c&rsquo;est dod\u00e9caphonique, mais tout de m\u00eame, ce th\u00e8me est charmant..<\/em>\u00a0\u00bb <\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Son sourire simple tire presque \u00e0 la grimace.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\" style=\"padding-top:var(--wp--preset--spacing--70);padding-right:var(--wp--preset--spacing--80);padding-bottom:var(--wp--preset--spacing--70);padding-left:var(--wp--preset--spacing--80)\">\u00ab\u00a0<em>Alors jouez charmant SVP.\u00a0\u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Chers lecteurs, \u00e0 vous d&rsquo;\u00e9couter ce th\u00e8me ! et apr\u00e8s avoir consid\u00e9r\u00e9 son contour m\u00e9lodique, son phras\u00e9, sa texture orchestrale, son dessin rythmique, que vous en semble ? L&rsquo;est-il, charmant ?<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/09\/Schonberg-Thema.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Arnold Sch\u00f6nberg &#8211; <em>Variations pour orchestre op.31 &#8211; II.Thema<\/em>  (1928)- Pierre Boulez, BBC Symphony Orchestra<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Dans les ann\u00e9es 1920, Arnold Sch\u00f6nberg (1874-1951) th\u00e9orise le dod\u00e9caphonisme s\u00e9riel. Ce syst\u00e8me consiste, entre autres, \u00e0 bannir toute tonalit\u00e9 en traitant de mani\u00e8re \u00e9galitaire chacune des 12 notes de&hellip;<\/p>\n","protected":false},"author":1,"featured_media":432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,8,22],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anecdote","category-moderne","category-repenser"],"_links":{"self":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=429"}],"version-history":[{"count":8,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions"}],"predecessor-version":[{"id":509,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions\/509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/media\/432"}],"wp:attachment":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}