{"id":283,"date":"2025-02-25T07:17:00","date_gmt":"2025-02-25T06:17:00","guid":{"rendered":"https:\/\/www.contrepointmarcassins.fr\/?p=283"},"modified":"2025-09-29T10:13:31","modified_gmt":"2025-09-29T08:13:31","slug":"univers-sonore-de-mozart-1e-partie","status":"publish","type":"post","link":"https:\/\/www.contrepointmarcassins.fr\/?p=283","title":{"rendered":"Univers sonore de Mozart (I)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Figure embl\u00e9matique du Classicisme viennois (1750-1810), Wolfgang Amadeus Mozart (1756-1791) s\u2019est d\u2019abord fait conna\u00eetre en Europe comme enfant prodige du clavier et du violon.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Munich, Londres, Mannheim, Antwerp, Paris, puis plus tard Milan, le papa Leopold aura expos\u00e9 ses enfants (Wolfgang et Maria Anna, la grande soeur, tout aussi prodige) aux notables de ces diff\u00e9rentes villes pendant pr\u00e8s de 3 ans.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est aussi l\u2019occasion pour Wolfgang de s\u2019impr\u00e9gner, par la lecture, par le d\u00e9chiffrage, par l\u2019\u00e9coute ou par l\u2019enseignement aupr\u00e8s de Ma\u00eetres, des esth\u00e9tiques musicales propres \u00e0 chaque territoire. Le jeune homme a tout \u00e0 apprendre, alors il apprend.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans cet article, nous vous proposons de reconstituer l\u2019univers sonore itin\u00e9rant, donc, de Mozart.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/Boyce-Symphonie-No3-Op2-I.-Allegro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">William Boyce &#8211; <em>Symphonie No.3 en Do, Op.2; I.Allegro<\/em> (1750) &#8211; Aradia Ensemble, Kevin Mallon<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/Graf-Quartett-No.-2-in-D-Major-for-Two-Flutes-Viola-and-Cello-I.-Allegro.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Friedrich Hartmann Graf &#8211; <em>Quatuor No.2 en R\u00e9 pour 2 fl\u00fbtes, alto et violoncelle; I.Allegro <\/em>(1779) &#8211; Ensemble Sch\u00f6nbrunn<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/Martini-Pieno-per-organo-11-Andantino.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Giovanni Battista Martini &#8211; <em>Pieno per organo, Andantino<\/em> &#8211; Manuel Tomadin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/StamitzDuo-in-C-major-Op.18-No.-1-III.-Rondo.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Carl Stamitz &#8211; <em>Duo en Do, Op.18 No.1, III.Rondo &#8211; <\/em>Vilmos Szabadi, Peter Barsony<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/Arne-Rosamunde-Rise-Glory-Rise.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Thomas Arne &#8211; <em>Rosamunde: Rise glory, rise<\/em> (1740) &#8211; Emma Kirby, Academy of Ancient Music<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.contrepointmarcassins.fr\/wp-content\/uploads\/2025\/02\/JC-Bach-Requiem-III.Dies-irae.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Johann Christian Bach &#8211; <em>Requiem: Dies Irae<\/em> (1757) &#8211; RIAS Kammerchor, Akademie f\u00fcr Alte Musik Berlin<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Figure embl\u00e9matique du Classicisme viennois (1750-1810), Wolfgang Amadeus Mozart (1756-1791) s\u2019est d\u2019abord fait conna\u00eetre en Europe comme enfant prodige du clavier et du violon.&nbsp; Munich, Londres, Mannheim, Antwerp, Paris, puis&hellip;<\/p>\n","protected":false},"author":1,"featured_media":290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classicisme"],"_links":{"self":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=283"}],"version-history":[{"count":3,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/283\/revisions"}],"predecessor-version":[{"id":535,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/posts\/283\/revisions\/535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=\/wp\/v2\/media\/290"}],"wp:attachment":[{"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.contrepointmarcassins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}